Am I allowed to use full-measure in-accords this way? It would sure make the melody line in each hand easier to read, but I’ve not found any examples that do this. Are part-measure in-accords required in this case, instead? Thanks again and again!
I think the only reservation that might be made is that both hands having run-overs can be a lot, but in cases like this, I don’t see a way around it that makes it as clear as this is. I feel that dividing the measures would be more complicated than both hands having a run-over.